Method Two : You can also change your Current 16:9 Sequence into a 3:2 Sequence by unchecking the Anamorphic 16:9 check box in Current Sequence Settings (Apple + Zero) then:Ī. Drag the 16:9 Sequence Icon directly into the 3:2 Timeline Clicking and dragging your Show's Sequence Icon from the Browser onto the Overwrite Radio Button or the Overwrite Canvas Overlay into the Timeline. Edit your 16:9 Sequence (Your Show) into the new 3:2 Sequence (this is called Nesting).
Changing your Sequence Presets back to 3:2 then creating a new Sequenceī. Method One : Make a standard 3:2 Sequence by firstĪ.
There are two techniques to distort your 16:9 sequenceįor letterbox viewing on a standard TV set. Select the sequence icon in the BrowserĬut your show first, then before Outputting to tape, you must Nest and Distort your Sequence before Rendering. Like distorting it for letterbox viewing. Your sequence before doing any major changes to it, It is advisable to:īefore you get started, it's a good idea to duplicate
The only way to actually view 16:9 footage on a regular NTSC Television is to "letterbox" or distort it. How Can I View My Footage in 16:9 on my Standard NTSC Monitor? If you deal with a lot of 16:9 footage, it might be advisable to purchase such a monitor. For Example, with my Sony PVM-20M2U, I have such a button so I can see my 16:9 footage as I edit.
However, with more expensive, professional NTSC monitors (and in the future, with Consumer Widescreen Television sets, which are now available in Japan) there is a 16:9 feature that will resize the Anamorphic frame on the fly, lending it the proper dimensions of the widescreen format. Typically, it is not possible to view Anamorphic Video on a standard NTSC Television monitor. Your entire Nested Sequence to adjust for the offsetĬan I view Anamorphic Video in 16:9 on my NTSC Monitor? OR what it will look like on a Consumer TV after you distort and render This information shows up in the monitor with a horizontally squeezed distortion because that is exactly what was recorded on the original 720 x 480 frame,Ī 16:9 Letterbox image as viewed on a Pro Monitor or in many Camcorder's Viewfinders
Recall that the 16:9 anamorphic effect was created when a widescreen 16:9 frame was forced into the same space as normal frame. While monitoring NTSC video output from Final Cut Pro, we are viewing only what is coming out of Firewire. It's supposed to look like that! Although it seems like it shouldn't, think about what is really going on with the frame. Why Does Anamorphic Video looked Squished on my NTSC Monitor? It is actually a bit of trickery! When you shoot 16:9, what your DV Camcorder is really doing is recording the 16:9 frame to a 720 x 480 frame. It is important to know for both those that shoot and edit 16:9 with standard DV is that the recorded DV 16:9 video frame is still only 720 x 480 pixels. How it REALLY looks on your tape and your Consumer TVĪnamorphic Video is 16:9 video acquired by recording on to a 3:2 720 x 480 frame. Image Anamorphically Squeezed into a 3:2 Aspect Ratio A 4:3 ratio seems less "film like" in the overall viewing experience for most folks. Presently, just about every DV Camcorder has the option to shoot in a 16:9 frame size, so many are taking the plunge and shooting their projects in the 16:9 ratio to give more impact to their story. Watching video in 16:9, lends to a more engaging and enjoyable cinematic experience for the viewer, evoking a feeling very similar to experience to film. People respond well to 16:9 Widescreen Television viewing Widescreen Aspect Ratio as seen in the Canvas and the Viewer
The aspect ratio of a widescreen frame is what is referred to as 16:9. With widescreen television, like that of HDTV, the aspect ratio is roughly 16 parts wide by 9 parts high allowing for a totally different approach to framing and viewing the shot. The aspect ratios of DV (3:2), standard NTSC (4:3), are "less wide" than that of a widescreen ratio. This width to height "ratio" refers to that of a standard frame of film or video. Let's now examine some of the eccentricities of 16:9 acquired video, so we can learn to shoot and edit with it successfully.Ī typical frame of DV video is 720 pixels wide and 480 tall giving it an aspect ratio of 3:2. Can Final Cut editors deal with video shot in a widescreen format from a standard DV Camcorder? Of course! In fact, this article focuses on using common camcorders to do this. One of the distinguishing "looks" of film is its widescreen aspect ratio. These days, just about everyone wants to experiment with video that appears more film like.